Love Letter to New York | by Andrea Avery
Snapshot of Christ | by Joe Esser
The Beginnings of an Animal Rescuer | by Randy Grim
From Way Down Here to Way Up There | by Chris King
The Gift | by Christian Saller
High on Jesus | by Rob Thurman
Cemeteries | photos by Jane Linders, Katherine Bish, and Andrea Avery
Love Letter to New York | by Andrea Avery
Robert Keyes | by Aaron Belz
In Appreciation: The Pruitt-Igoe Nature Preserve | by Thomas Crone
As Grandmother Neared Death | by Lindsey Durway
Say Hello to Papa Legba | by Franklin Jennings
Jackrabbit Stew | by Patrick Landewe
From Out of Nowhere | by K. Curtis Lyle
Oh Ye Of Little Faith | by Andrea Noble
Variations on a Rag for William S. Burroughs | by Randall Roberts
Torn Map Home | by Stefene Russell
As a Means to Love Him More Dearly | by Eric Erfan Vickers
Thank Christ for Easier to Argue | by James Weber
Southern Spine | by James Weber
Andrea Avery, Jenna Bauer, Andrea Day, Thomas Crone, Caroline Huth, Jane Linders, Carmelita Nuñez, Kerry Zimmerman
Snapshot of Christ |
by Joe Esser
How the almost dead
have said He appears
was recently mystically etched
in the no man’s land of 35mm.
where mechanical engineering allows film
no trespass (inside the magic box of an anonymous shrinegoer),
resembling no existing portrait.
This, now thoroughly distributed
amongst fringe miracleists,
and presented to me as a gift at Thanksgiving,
perches on a nightstand in my bedroom,
its gaze fixed on
the hidden imprints of my sins.
Joe Esser is the author of The Book of Punch Lines (Yoo-Hoo Press, 1993), and his poems have appeared in the Independent Review and SPSM&H. He is a founding member of the Hoobellatoo multimedia documentary and the owner of a small web development outfit. He lives in Wayne, NJ.